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THREE DAYS ON MIMOSA LANE
Seasons
of the Heart, Book 2
Publisher: Montlake Romance
Publication
Date: July 23, 2013
One day
can change your life forever...Three days change a painful past into a
beautiful tomorrow...
Once, Sam
Perry had it all. A loving marriage, an amazing job she adored as a preschool
teacher, and a beautiful home. She was safe, happy and secure. Then the
unthinkable happened... Watching his once carefree wife withdraw into herself
was almost more than Brian Perry could handle. The only thing that kept him
going was knowing that he loved her more than life itself. Moving her out of
New York to Chandlerville, a small, quiet suburb of Atlanta, felt right.
Anything, to get her away from the memories of the buildings, and her world,
crashing around her.
Now, two
sons and many years later, Sam cherishes the new life on Mimosa Lane that Brian
built for them. Until lightning strikes twice... Called a hero by her small
community, Sam feels more like a coward than ever. Instinct draws her into an
altercation at her children's school- an instinct that also drives her away
from the warm cocoon of her family. Brian refuses to lose his wife again. He
agrees to give her the space she asks for, but he soon realizes space isn't
something they and their children can afford. He knows their love can still
conquer all. But this time he'll need their entire community to help him win
his wife back.
Available
at: Amazon
Rewriting is Simple.
REALLY.
The rewriting of a full draft…rarely wants to be rewritten.
But your job as an author of a WIP isn’t over, just because you’ve written the
first “The End” of your project.
Either the overwhelming work left to be done is going to
win, or you’re going to win because you’re a professional writer. And the only
way for you to win, is to take
control and show those rewrites that you’re the boss…for as long as it takes
for you to believe it, too ;o)
The rewrites for my last release, Three Days on Mimosa Lane (http://amzn.to/151WHLL),
had to happen quickly and flawlessly, and I was working on fumes. But they
happened. They always happen. The only control I had was whether or not those
revisions would make the book better. I was determined that they would, no
matter how little time or energy I had left in my creative tank.
How did I do that?
Simple.
No, the process isn’t simple. It’s your job to keep it
simple—despite the chaos swirling around you. You have to know what you’re
doing, why you’re doing it, and how you plan to make what you need to do next
with your manuscript happen.
When you’re drafting with a plan (and you have a plan,
right?) or rewriting with a plan (because you revamp your plan for your story
before you rewrite, right?), you stop the overwhelming, sinking feeling that
you can’t succeed at something as complex as creating a novel–by focusing on
one piece of the story at a time, until the whole manuscript finally begins to
take shape.
I encourage students to do what I do…focus on the beginning,
middle, and end of your characters’ journeys, as you plot or deconstruct or
draft write a novel. I also teach students to pinpoint the emotional focus of a
character at the inciting incident of a story, then at the black moment, and
only then at the middle of the book. If you can define for yourself or me or a
critique partner what your character’s internal journey will be at these three
story points , you’ll never be writing or rewriting into a void.
An example?
My protagonist/heroine in my next Mimosa Lane WIP (Book 3 of my
Seasons of the Heart series) grew up in a dysfunctional family. That could have
made her angry at the world and rebellious (as it does our hero, but that’s
another blog post). Instead, while she’s wary of ever making family work for
her, it’s made her a champion of other families and of the kids she teaches and
cares for in her job (she’s an amazing assistant elementary school principal,
whom you get to know in Seasons of the Heart Book 2, Three Days on Mimosa Lane http://amzn.to/151WHLL).
Sound interesting? I hope so.
But that’s only the beginning. It’s nowhere close to a full
story arc. Not yet. And if I’m going to rewrite my muddled and wandering draft
into the best story it can be, I need to understand my protagonist’s
emotional/internal journey as I weave her in and out of the external story
points I’ve already created–I need to motivate her carefully and throw the
right conflict at her for the right reasons (using my hero and key secondary
characters), so that she’ll change and grow and achieve a goal by the end of
the book that she/we wouldn’t have thought possible at the beginning–claiming
the happy family she’s always wanted, even if that family can never be the
perfect thing she dreamed of as a little girl.
The simple part (that’s taken me a long time to arrive at,
longer than most other stories I’ve written, because of the complexity of the
characters and community I’m writing about):
Heroine at the story
Inciting Incident: She’s surround herself with love and family (other
peoples’), focusing on her job and helping the ideal community she’s grateful
to be a part of. Her success at her job helps other families and the children
she’s responsible for thrive, and that makes her happy, or so she’s convinced
herself.
Heroine at the story
Midpoint: She can’t help two special children without working with and
growing closer to the man and the family she’s secretly longed to know better.
But inviting them into her life exposes her to the kind of chaos (and the
chance of risking her heart) she’s refused to allow into her life since she
left her own damaged family behind. She realizes that all this time she’s been
“hiding in plane sight” and running from her past and fear of giving her heart
to anyone again. She’s not equipped to handle the choices and risk that loving
the hero and his daughter challenge her with–even though she can’t stop herself
from fighting for them.
Heroine at the end of
the story: The hero’s own damaged past and his secrets blow up in the most
public, challenging, personal way–he is absolutely not the right man for an
emotionally risk-averse person like our heroine. But neither is anyone else, she’ s learned.
All this time, she’s believed she’ll never find love, because loving someone
will never be safe enough for her to handle. Only now she’s in love with the
one person who should be the antithesis of safe to her–but she hasn’t been able
to do anything all along but fight beside him and for him and his daughter. Has
she learned enough to accept that this perfect family that has come to her will
always be flawed and challenging and scary to her (because she loves them so
much and can’t imagine losing them)–and that she can handle all of that, she
can handle anything, as long as she has their love in her life?
As I rewrite, if I have these emotional turning points in
mind as I work on every scene (and, you know, a thousand other details that I
need to work out as well, because this series is so rich in setting and theme
and secondary character arcs and community and so forth), I’ll keep my heroine
on track and ever evolving and growing and changing from the amazing person she
is at Page 1 to the even more amazing woman she becomes at the end of the
story.
Simple, right? Nah. But it’s your job, so get to it…
This is story analysis. You do it while you plan story,
while you draft story, and while you rewrite story. You’re a creator, but
you’re also a crafter. You craft story and refine and shape and rework, like
any other artist, until you show the reader EXACTLY what you see, once you can
finally see clearly yourself.
What could be easier than that ;o)
For more craft ramblings by a working writer, visit my How
We Write blog series (http://bit.ly/xRQrBr).
Or come find me on Facebook and message/ask me anything you like. And Write On!
ABOUT THE AUTHOR:
Nationally
bestselling author Anna DeStefano has searched her entire life for the soul of
the matter at the heart of her world's mysteries. As a small child, she drew
from her experiences, senses, and dreams to paint a lush fantasy world, filled
with endless possibility and characters of her own creation. Putting pen to
paper, Anna transforms these inner landscapes into rich storytelling.
Hers is a
realistic but optimistic vision, searching for hope and transformation through
intense emotional journeys. Her fuel--the inner passions and conflicts of the
characters she crafts. Much like a caterpillar transforms into a butterfly,
Anna's characters face the ultimate of human choices: finding the courage to
conquer their fears and thrive until, despite every obstacle, they become the
beautiful things they're meant to be.
An author,
workshop and keynote speaker, writing coach, and acquiring editor, Anna's
creative vision permeates every challenge she undertakes. She wants you to
stop, look, and keep digging, until you find the soul of your own fantasies. Her
novels' rich blend of realism and fantasy invites Anna's readers into her
creative mission to dig deeper and see each of life's moment with emotional
honesty and clarity.
Discovery and joy are her touchstones, regardless of how difficult her characters' journeys might be. She will challenge you to transform into all you're meant to be, as well. She speaks and blogs regulary. Join Anna each week for Soul Of The Matter, Dream Theories, Things My Teenager Says, How We Write, Waterfall Challenges, and more.
Discovery and joy are her touchstones, regardless of how difficult her characters' journeys might be. She will challenge you to transform into all you're meant to be, as well. She speaks and blogs regulary. Join Anna each week for Soul Of The Matter, Dream Theories, Things My Teenager Says, How We Write, Waterfall Challenges, and more.
Connect
with Anna:
Anna
is giving away the following prizes at the end of her tour:
GRAND PRIZE
TOUR GIVEAWAY:
Kindle
Paperwhite
GIVEAWAY AT
EVERY BLOG:
One lucky commenter FROM EVERY BLOG STOP
will win a digital copy of Three Days on
Mimosa Lane
Leave your name and email address below to enter to win!
a Rafflecopter giveaway
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